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The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America, by Susan B. A. Somers-Willett
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How do slam poets and their audiences reflect the politics of difference?
- Sales Rank: #650810 in Books
- Published on: 2009-05-07
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .70" w x 5.88" l, .70 pounds
- Binding: Paperback
- 208 pages
Review
"Finally, a clear, accurate, and thoroughly researched examination of slam poetry, a movement begun in 1984 by a mixed bag of nobody poets in Chicago. At conception, slam poetry espoused universal humanistic ideals and a broad spectrum of participants, and especially welcome is the book's analysis of how commercial marketing forces succeeded in narrowing public perception of slam to the factionalized politics of race and identity. The author's knowledge of American slam at the national level is solid and more authentic than many of the slammers who claim to be." --Marc Kelly Smith, founder/creator of the International Poetry Slam movement
About the Author
Susan B. A. Somers-Willett is the author of a book of poetry, Roam, and a book of criticism, The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. She lives in Austin, Texas.
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