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More than ever, mission-critical and business-critical applications depend on object-oriented (OO) software. Testing techniques tailored to the unique challenges of OO technology are necessary to achieve high reliability and quality. Testing Object-Oriented Systems: Models, Patterns, and Tools is an authoritative guide to designing and automating test suites for OO applications. This comprehensive book explains why testing must be model-based and provides in-depth coverage of techniques to develop testable models from state machines, combinational logic, and the Unified Modeling Language (UML). It introduces the test design pattern and presents 37 patterns that explain how to design responsibility-based test suites, how to tailor integration and regression testing for OO code, how to test reusable components and frameworks, and how to develop highly effective test suites from use cases. Effective testing must be automated and must leverage object technology. The author describes how to design and code specification-based assertions to offset testability losses due to inheritance and polymorphism. Fifteen micro-patterns present oracle strategies--practical solutions for one of the hardest problems in test design. Seventeen design patterns explain how to automate your test suites with a coherent OO test harness framework. The author provides thorough coverage of testing issues such as: *The bug hazards of OO programming and differences from testing procedural code *How to design responsibility-based tests for classes, clusters, and subsystems using class invariants, interface data flow models, hierarchic state machines, class associations, and scenario analysis *How to support reuse by effective testing of abstract classes, generic classes, components, and frameworks *How to choose an integration strategy that supports iterative and incremental development *How to achieve comprehensive system testing with testable use cases *How to choose a regression test approach *How to develop expected test results and evaluate the post-test state of an object *How to automate testing with assertions, OO test drivers, stubs, and test frameworks Real-world experience, world-class best practices, and the latest research in object-oriented testing are included. Practical examples illustrate test design and test automation for Ada 95, C++, Eiffel, Java, Objective-C, and Smalltalk. The UML is used throughout, but the test design patterns apply to systems developed with any OO language or methodology. 0201809389B04062001

• Sales Rank: #197512 in Books
• Published on: 1999-11-07
• Original language: English
• Number of items: 1
• Dimensions: 9.48" h x 2.50" w x 7.58" l, 4.57 pounds
• Binding: Hardcover
• 1248 pages

From the Back Cover

More than ever, mission-critical and business-critical applications depend on object-oriented (OO) software. Testing techniques tailored to the unique challenges of OO technology are necessary to achieve high reliability and quality. Testing Object-Oriented Systems: Models, Patterns, and Tools is an authoritative guide to designing and automating test suites for OO applications.

This comprehensive book explains why testing must be model-based and provides in-depth coverage of techniques to develop testable models from state machines, combinational logic, and the Unified Modeling Language (UML). It introduces the test design pattern and presents 37 patterns that explain how to design responsibility-based test suites, how to tailor integration and regression testing for OO code, how to test reusable components and frameworks, and how to develop highly effective test suites from use cases.

Effective testing must be automated and must leverage object technology. The author describes how to design and code specification-based assertions to offset testability losses due to inheritance and polymorphism. Fifteen micro-patterns present oracle strategies--practical solutions for one of the hardest problems in test design. Seventeen design patterns explain how to automate your test suites with a coherent OO test harness framework.

The author provides thorough coverage of testing issues such as:

• The bug hazards of OO programming and differences from testing procedural code
• How to design responsibility-based tests for classes, clusters, and subsystems using class invariants, interface data flow models, hierarchic state machines, class associations, and scenario analysis
• How to support reuse by effective testing of abstract classes, generic classes, components, and frameworks
• How to choose an integration strategy that supports iterative and incremental development
• How to achieve comprehensive system testing with testable use cases
• How to choose a regression test approach
• How to develop expected test results and evaluate the post-test state of an object
• How to automate testing with assertions, OO test drivers, stubs, and test frameworks

Real-world experience, world-class best practices, and the latest research in object-oriented testing are included. Practical examples illustrate test design and test automation for Ada 95, C++, Eiffel, Java, Objective-C, and Smalltalk. The UML is used throughout, but the test design patterns apply to systems developed with any OO language or methodology.

0201809389B04062001

About the Author

Robert V. Binder, president and founder of RBSC Corporation, is internationally recognized as the leading expert in testing object-oriented systems. With more than 25 years of software development experience in a wide range of technical and management roles, he has implemented advanced OO test design and automation solutions for hundreds of clients. He is the author of Application Debugging, writes a column on testing for Component Strategies, and has published many articles in peer-reviewed and popular journals. He serves on the board of the annual Quality Week conference and is a senior member of the IEEE.

0201809389AB04062001

Excerpt. © Reprinted by permission. All rights reserved.
What Is This Book About?

Testing Object-Oriented Systems is a guide to designing test suites and test auto- mation for object-oriented software. It shows how to design test cases for any object-oriented programming language and object-oriented analysis/design (OOA/D) methodology. Classes, class clusters, frameworks, subsystems, and application systems are all considered. Practical and comprehensive guidance is provided for many test design questions, including the following:

• How to design responsibility-based tests for classes and small clusters using behavior models, state-space coverage, and interface dataflow analysis.
• How to use coverage analysis to assess test completeness.
• How to design responsibility-based tests for large clusters and subsystems using dependency analysis and hierarchic state models.
• How to design responsibility-based tests for application systems using OOA/D models.
• How to automate test execution with object-oriented test drivers, stubs, test frameworks, and built-in test.

This book is about systems engineering and software engineering as much as it is about testing object-oriented software. Models are necessary for test design--this book shows you how to develop testable models focused on preventing and removing bugs. Patterns are used throughout to express best practices for designing test suites. Tools implement test designs--this book shows you how to design effective test automation frameworks.

Is This Book for You?

This book is intended for anyone who wants to improve the dependability of object-oriented systems. The approaches presented range from basic to advanced. I've tried to make this book like a well-designed kitchen. If all you want is a sandwich and a cold drink, the high-output range, large work surfaces, and complete inventory of ingredients won't get in your way. But the capacity is there for efficient preparation of a seven-course dinner for 20 guests, when you need it.

I assume you have at least a working understanding of object-oriented programming and object-oriented analysis/design. If you're like most OO developers, you've probably specialized in one language (most likely C++ or Java) and you may have produced or used an object model. I don't assume that you know much about testing. You will need some background in computer science and software engineering to appreciate the advanced material in this book, but you can apply test design patterns without specialized theoretical training.

You'll find this book useful if you must answer any of the following questions.

• What are the differences between testing procedural and object-oriented software?
• I've just written a new subclass and it seems to be working. Do I need to retest any of the inherited superclass features?
• What kind of testing is needed to be sure that a class behaves correctly for all possible message sequences?
• What is a good integration test strategy for rapid incremental development?
• How can models represented in the UML be used to design tests?
• What can I do to make it easier to test my classes and applications?
• How can I use testing to achieve greater reuse?
• How should I design test drivers and stubs?
• How can I make my test cases reusable?
• How can I design a good system test plan for an OO application?
• How much testing is enough?

The material here is not limited to any particular OO programming language, OOA/D methodology, kind of application, or target environment. However, I use the Unified Modeling Language (UML) throughout. Code examples are given in Ada 95, C++, Java, Eiffel, Objective-C, and Smalltalk.

A Point of View

My seven-year-old son David asked, "Dad, why is your book so big?" I'd just told David that I'd have to leave his baseball game early to get back to work on my book. I wanted to explain my choice, so I tried to be clear and truthful in answering. This is what I told David at the kitchen table on that bright summer afternoon:

Testing is complicated and I'm an engineer. Making sure that things work right is very important for engineers. What do you think would happen if our architect - didn't make our house strong enough because he was lazy? It would fall down and we could get hurt. Suppose the engineers at GM did only a few pages' worth of testing on the software for the brakes in our car. They might not work when we need them and we'd crash. So when engineers build something or answer a question about how to build things, we have to be sure we're right. We have to be sure nothing is left out. It takes a lot of work.

As I was speaking, I realized this was the point of view I'd been struggling to articulate. It explains why I wrote this book and the way I look at the problem of testing object-oriented software. Testing is an integral part of software engineering. Object-oriented technology does not diminish the role of testing. It does alter some important technical details, compared with other programing paradigms. So, this is a large book about how testing, viewed as software engineering, should be applied to object-oriented systems development. It is large because testing and object-oriented development are both large subjects, with a large intersection. By the way--David hit two home runs later that afternoon while I was torturing the truth out of some obscure notions.

Acknowledgments

No one who helped me with this book is responsible for its failings.1 Dave Bulman, Jim Hanlon, Pat Loy, Meilir Page-Jones, and Mark Wallace reviewed the first technical report about the FREE methodology Binder 94.

1. John Le Carre crafted this concise statement about assistance he received on The Tailor of Panama. I can't improve on it.

In 1993, Diane Crawford, editor of Communications of the ACM, accepted my proposal for a special issue on object-oriented testing, which was published in September 1994. The contributors helped to shape my views on the relationship between the development process and testing. Bill Sasso (then with Andersen Consulting and now answering a higher calling) sponsored a presentation where questions were asked that led to development of the Mode Machine Test pattern (see Chapter 12). Bob Ashenhurst of the University of Chicago, James Weber, and the rest of the Regis Study Group raised more fundamental questions: What is a state? Why should we care about pictures?

The following year, Marie Lenzie, as editor of Object Magazine, accepted my proposal for a bimonthly testing column. Since 1995, writing this column has forced me to transform often hazy notions into focused, pragmatic guidance six times each year. Lee White of CASE Western Reserve University and Martin Woodward of the University of Liverpool, editors of the journal Software Testing, Verification, and Reliability, encouraged my work in developing a comprehensive survey, patiently waited, and then allocated an entire issue to its publication. Writing the survey helped to sort which questions were important, why they were asked, and what the best available thinking did and did not answer.

My publications, conference tutorials, and professional development seminars on object-oriented testing served as a conceptual repository and proving ground. Many of these materials, with the necessary changes, have been reused here. The cooperation of RBSC Corporation, SIGS Publications, the ACM, the IEEE, and Wiley (U.K.) is appreciated in this regard (see preceding Sources and Credits for details). The real-world problems and questions posed by my consulting clients and thousands of seminar participants have been humbling and constant spurs to refinement.

The patient support of Carter Shanklin and his predecessors at Addison-Wesley kept this project alive. Boris Beizer's steady encouragement, suggestions, and acerbic critiques have been invaluable.

Several adept programmers suggested code examples or helped to improve my own: Brad Appleton (C++ in the Percolation pattern and elsewhere), Steve Donelow (Objective-C built-in test), Dave Hoag (Java inner class drivers), Paul Stachour (Ada 95 assertions and drivers), and Peter Vandenberk (Objective-C assertions).

Drafts of patterns, chapters, and the entire book have been reviewed by many people. I am very grateful for the reviewers thoughtful and detailed feedback. Elaine Weyuker helped to debug my interpretation of her Variable Negation strategy presented in Chapter 6. Brad Appleton and the Chicago Patterns Study Group held two pattern writer's workshops that focused on the test design pattern template and early versions of the Invariant Boundary and Percolation patterns. Ward Cunningham commented on an early draft of the test pattern template. Several people reviewed test patterns based on their work: Tom Ostrand (Category-Partition), John Musa (Allocate Tests by Profile), and Michael Feathers (Incremental Testing Framework). Derek Hatley reviewed an early version of Combinational Logic (Chapter 6); Lee White, Regression Testing (Chapter 15); Doug Hoffman, Oracles (Chapter 18); and Dave Hoag, Test Harness Design (Chapter 19). Anonymous reviewers of an early version of the manuscript pointed out many opportunities for improvement. Brad Appleton, Boris Beizer, Camille Bell, Jim Hanlon, and Paul Stachour reviewed the entire final manuscript and provided highly useful commentary.

Finally, thanks to Judith, David, and Emily for years of support, patience, and encouragement.

Sources and Credits

Some of the author's previous publications have been reused or adapted under the terms of the copyright agreements with original publishers of Object Magazine, Component Strategies, Communications of the ACM, and the Journal of Software Testing, Verification and Reliability. See the Bibliographic Notes section in each chapter for specific citations.

The other sources, cit...

Most helpful customer reviews

0 of 0 people found the following review helpful.
Okay
By fmcf
Didn't meet my expectations... I purchased this book expecting that it would come filled with software patterns for testing software in general (not specifically OO), but as the title says, it's very specific to OO systems and OO technologies. Still a good reference.

0 of 0 people found the following review helpful.
and the seller is very good.
By deya
The book is well worth testing workers look, there are a lot of test model, and the seller is very good.

1 of 1 people found the following review helpful.
A book with good basics of software testing
By Arun Ambupe
This book gives solid view of basics of software testing. This book covers theory as well as practical examples.
All the topics are covered in details touching all the aspects of the software testing.
This a very good reference book for Software Testing.

See all 11 customer reviews...

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[K325.Ebook] Ebook Object-Oriented Modeling and Design, by James R. Rumbaugh, Michael R. Blaha, William Lorensen, Frederick Eddy, William Premerlani

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Object-oriented modelling and design promote better understanding of requirements, cleaner designs and more maintainable systems. Often, books on related subjects rely on programming and coding, forcing readers to think in terms of the computer, and not the application. "Object-oriented Modeling and Design" emphasizes that object-oriented technology is more that just a way of programming. It applies techniques to the entire software development cycle. This volume presents a new object-oriented software development methodology - from analysis, through design, to implementation. Key features of the book include a focus on high-level, front-end conceptual processes of analysis and design, rather than just on the low-level, back-end implementation steps of programming; coverage of the entire development life cycle - analysis, design, implementation without a change of notation at each stage; a presentation of graphical notation and methodology independent of any particular programming language; case studies of industrial object-oriented applications developed by the authors; and examples and exercises that bring out fine points, summary lists of concepts and methodology steps, and almost 300 diagrams.

• Sales Rank: #1595481 in Books
• Published on: 1990-10-01
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.13" w x 7.25" l,
• Binding: Hardcover
• 512 pages

Amazon.com Review
Notable mainly for its clear and thorough exploration of the Object Modeling Technique (OMT)--a generic way of representing objects and their relationships--this book is good as a primer and great as a knowledge booster for those already familiar with object-oriented concepts. Object-Oriented Modeling and Design teaches you how to approach problems by breaking them down into interrelated pieces, then implementing the pieces. In addition to its documentation of the Object Modeling Technique (OMT), a graphical notation for depicting object-oriented systems, Object-Oriented Modeling and Design does a first-rate job of explaining basic and advanced object-orientation concepts. The book then moves on to explain the authors' techniques for breaking down problems into components and figuring out systems of interrelated objects that can be used as designs for programs. Interestingly, the authors devote part of their book to implementing object-oriented solutions in non-object-oriented languages--mainly C, Ada, and Fortran. There's also a great discussion of implementing object-oriented designs in relational database environments. The authors conclude their book with a sort of recipe section, detailing architectures for various types of programs in OMT.

From the Publisher
This text applies object-oriented techniques to the entire software development cycle.

From the Back Cover
x

Most helpful customer reviews

22 of 24 people found the following review helpful.
One of the OO bibles
By Daniel Moth
A landmark in OO literature: always was and always will be. Taking things from step zero to discussing very advanced issues. The notation used is the one where UML has borrowed most of its elements (especially the class diagrams). The process it describes has become the typical process for OO development (especially 2nd generation OMT as described through a series of articles in JOOP by Rumbaugh). In all, a book that leaves nothing uncovered from notation to process and more importantly in depth discussions on OO concepts and techniques that will always be true. Finally, this is one of the few books that discuss how to implement an OO design into a non-OO language such as C, Pascal, Fortran etc. END

33 of 38 people found the following review helpful.
Lots of fluff, very little content
By Carl L. Gonsalves
This book gives what seems like a reasonably good description of each of the three OMT models: object, functional and dynamic. Unfortunately, when attempting to use the ideas presented, one becomes immediately aware that no explanation of how to use all three models together is given.
Looking at the examples, one finds that the examples in each model's section are totally unrelated to the examples in the other two model's sections. Essentially, the authors have fabricated example systems for each section that are easy to describe using that particular model, but have failed to show the other two models for those systems. This book would have been far better if the same set of examples were carried through the three types of models, showing how they interrelate.
The primary problem with the book, however, seems to be that it's about OMT. OMT has many serious flaws. OMT's object model notation is reasonable. The functional model notation is satisfactory. The dynamic model is incomplete. And the three models are not related to eachother in any clear way by this book. Without fixing the flaws inherent in OMT, any book on OMT is going to be mostly useless.

2 of 2 people found the following review helpful.
An excellent book for OOAD
By A Customer
This book is an excellent book for beginners as well as advanced guys in the charismatic field of OMT and OOAD. The book gives an excellent description of Object Modelling, Functional modelling and Dynamic modelling. The examples are good and understandable but they can be simplified. Over all an interesting and good book.

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On March 9, 1996, tens of thousands of readers of a daily newspaper in China’s Anhui province saw a photograph of two young women at a local long-distance bus station. Dressed in fashionable new winter coats and carrying luggage printed with Latin letters, the women were returning home from their jobs in one of China’s large cities. As the photo caption indicated, the image represented the “transformation of migrant women”; the women’s “transformation” was signaled by their status as consumers. New Masters, New Servants is an ethnography of class dynamics and the subject formation of migrant domestic workers. Based on her interviews with young women who migrated from China’s Anhui province to the city of Beijing to engage in domestic service for middle-class families, as well as interviews with employers, job placement agencies, and government officials, Yan Hairong explores what these migrant workers mean to the families that hire them, to urban economies, to rural provinces such as Anhui, and to the Chinese state. Above all, Yan focuses on the domestic workers’ self-conceptions, desires, and struggles.

Yan analyzes how the migrant women workers are subjected to, make sense of, and reflect on a range of state and neoliberal discourses about development, modernity, consumption, self-worth, quality, and individual and collective longing and struggle. She offers keen insight into the workers’ desire and efforts to achieve suzhi (quality) through self-improvement, the way workers are treated by their employers, and representations of migrant domestic workers on television and the Internet and in newspapers and magazines. In so doing, Yan demonstrates that contestations over the meanings of migrant workers raise broad questions about the nature of wage labor, market economy, sociality, and postsocialism in contemporary China.

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Read This Comic and Start Drawing Today!

For the first time ever, drawing instructor and graphic novelist Mark Crilley brings his easy-to-follow artistic instruction to aspiring artists in the form of a comic book, providing you with a one-of-a-kind how-to experience. In The Drawing Lesson, you’ll meet David—a young boy who wants nothing more than to learn how to draw. Luckily for David, he’s just met Becky—his helpful drawing mentor. Page by page, Becky teaches David (and you!) about the essential fundamentals that artists need in order to master drawing, all in a unique visual format. In panel after panel, Crilley provides lessons on shading, negative space, creating compositions, and more, with accompanying exercises that you can try for yourself. Are you ready to start your drawing lesson today?

• Sales Rank: #8115 in Books
• Published on: 2016-07-05
• Released on: 2016-07-05
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .41" w x 7.05" l, .81 pounds
• Binding: Paperback
• 144 pages

Review
"[H]eartfelt and quite moving...An artful balance of character and technique, of observed human moments and carefully pitched instruction, that will appeal to students with artistic aspirations. Gr 4 + Up"
—School Library Journal

"Engaging...A pleasant diversion for a long summer afternoon, The Drawing Lesson is likely to result in lots of ambitious sketching among readers ages 7 to 14."
—Wall Street Journal

"The narrative is often funny and unexpectedly poignant, while the tutorials are impressively clear and easy for readers to implement...A great pick for juveniles and young teens looking to learn the craft of drawing."
—Library Journal

"Proportion, negative space, perspective, lighting, and other drawing basics are covered concisely and informatively, so a student could easily follow the clear drawings to benefit from Becky’s lessons. Crilley develops his characters fully, making this a true novel and not simply a narrated drawing lesson. An original and accessible way to learn to draw. (Graphic nonfiction. 10-14)"
—Kirkus Reviews

"Offers thorough and practical lessons in drawing. The instruction is solid, covering proportion, shading, loose sketching, self-criticism, drawing shadows, and negative space."
—Publishers Weekly

"You’ll laugh, you’ll learn, and you might even discover a hidden talent. What’s not to love?"
—Girls' Life Magazine

"A great book for young artists and their parents, sure to encourage artistry while building confidence and fundamental drawing skills."
—Book Riot

"Everyone has looked at a piece of art, whether it is a comic book or classical painting, and thought I wish I could do that…Mark Crilley’s latest drawing manual, ‘The Drawing Lesson: A Graphic Novel That Teaches You How to Draw,’ turns that wish into an absolution."
—GeekChicElite

"The book doesn’t just show you the right way to do things but also common, fixable mistakes. Then it shows you what to do in order to make things right."
—Nerdophiles

"This book tackles all the topics they covered in my High School AP Art Class...An excellent book to give to a young person (tween to teen) if they’re interested in learning about the technical aspects of art."
—What'cha Reading

"Illustration inspiration."
—The Children's Book Review

"The Drawing Lesson is a truly innovative way to learn art. I can’t wait to get this book for every kid on my gift buying list. Whatever your age, The Drawing Lesson is an essential primer on how to draw what you see."
—Gene Ha, artist for Alan Moore’s Top 10, Fables, and Action Comics, creator of Mae, and four-time Eisner Award winner

About the Author
Mark Crilley is the author of nearly twenty books, including The Realism Challenge, Mastering Manga, and Mastering Manga 2, as well as several series of books and graphic novels, including Akiko, Miki Falls, Billy Clikk, and Brody’s Ghost. Since being selected for Entertainment Weekly’s “It List” in 1998, Crilley has developed a massive Internet following for his drawing demonstration videos, which have received well over two hundred million views on YouTube. His books have been featured in USA Today, the New York Daily News, and Disney Adventures magazine, as well as on CNN Headline News. He resides in Novi, Michigan.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One: The Meeting   2

Chapter Two: Drawing What You See   11

Chapter Three: Shading   27

Chapter Four: Beginning With A Loose Sketch   40

Chapter Five: Understanding Light and Shadow   54

Chapter Six: Using Negative Space   68

Chapter Seven: Checking Proportions   78

Chapter Eight: Simplifying Things   87

Chapter Nine: Creating A Composition   98

Chapter Ten: Bringing It All Together   110

Chapter Eleven: Moving On   126

Epilogue   134


My goal with this book is to give you the next best thing: some sense of what it’s like to meet a drawing expert and to have a series of lessons at his or her side. There’s no shortage of instructional art books in the world; I’ve made a few of them myself. But I wanted to see if crucial lessons about drawing could be woven into an actual narrative. So, I set out to create a story that would give you vicariously the experience of having a mentor—one that can make you feel as if you are the one having your mistakes corrected, as if you are being told what to do and how to do it.

So, please turn the page, meet young David, and follow him on his drawing journey. I hope his story gives you some sense of what it’s like to have a drawing mentor. Mentors are not always gentle, and they certainly aren’t there just to be your personal cheerleader. But a mentor can truly change the way you see the world, and in so doing change your life altogether.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Fantastic.
By skunktrain
I've never heard of Mark Crilley before, never read any of his books, and I have a feeling I'm not his usual target demographic (since he's well-known for his manga books and I'm not a manga fan), but wow, this was a wonderful book.

Its purpose, according to the book's notes, is to allow you to experience what it's like to have a mentor--someone who will not only teach you how to draw, but interact with you, point out what you're doing wrong, and to encourage you (but not coddle you). This book delivers that, in an abbreviated form.

The story is of a boy, David, who meets a woman in the park who is drawing. He begs her to teach him, and she does, for a few hours. But of course, the lesson doesn't end there! Each chapter shows how David and his mentor meet up, and each chapter shows her teaching him a new drawing principle. First, it's getting the outline of the drawing accurate. There's a chapter on shading. Then there's the one about using your pencil strokes to follow along the form. (I enjoyed that one. Finally, a beginner drawing book that doesn't rely on smearing the graphite! Eureka! Glory be!) Negative space is covered, composition--it's a really good book!

I'd recommend it to anyone, of any age. I wouldn't assume that it would be the only drawing book that would ever be needed. It can't possibly cover everything. But it does offer a good start, plus it teaches some truths that beginner artists need to learn, but are things that are often beyond the scope of regular beginner drawing books. Things like wanting to draw for its own sake (not to compete with someone else), and to accept criticism and keep on moving forward.

This is a wonderful book and beautifully presented. I think it would be a big hit with anyone, but particularly those under age 18, especially if they've just discovered drawing.

12 of 12 people found the following review helpful.
A must buy!!!!
By Julia L. Anderson
Well, I pre-ordered this book and it arrived yesterday. I think if Mr Crilley met me he would be VERY surprised to find an older beginner artist bought this book! This book is amazing, and it's a whole teaching manual, with a story line that's interesting ! I highly recommend this book to new and intermediate artists..... You will love it! Thanks Mark Crilley !

7 of 7 people found the following review helpful.
If this doesn't lead Mark Crilley to his Eisner, I don't know what will!!
By Thomas J. Mohr
Believe it or not, I could've been the first person to review this! But I wouldn't have gotten it in the mail and it would've been dishonest, so now that I've finished reading it, (a few minutes ago actually,) I'll share with the internet my thoughts on this masterpiece.

The sketchy art style is superb. With it's cartoony characters and semi-realistic backgrounds, it's almost as if he's returned to his Akiko roots, while at the same time he makes it seem as if the world around the characters is a sketch itself. The thinly laced plot is solid as a rock and the characters are very believable. From the eager student David, (named after his real life art instructor, David Small,) to his art instructor Becky, who seems to teach him about drawing just to get him to stop bugging her.

As a young student artist, it calls to mind MY drawing lessons I've had with my first art instructor a few years ago, (and him telling me to make my lines darker among other things.) I've had many of the same problems with my art as David does in this book, (and still do,) so that makes the young protagonist far more compelling to me than, say, Miki Yoshida from Miki Falls. Becky's drawing lessons are very practical and very similar to how my art instructor taught me, (though I don't remember him telling me about Negative Space,) and her instructions don't feel like she's talking down to you, unlike SOME instructional comics I've read.

Ever since I picked up that copy of Mastering Manga over a Christopher Hart book so long ago, I feel like I've learned everything about drawing comics from this master of the comics medium, (and from my art instructor of course!) All in all, if this masterpiece doesn't win him his Eisner Award, (or at least fourteenth nomination,) I don't know what will!

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London published Fiction

• Published on: 1898-01-01
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